Aurenament is a typographic project that blends calligraphy and blackletter. The goal was to bring the manual and organic shapes of the calligraphy brush strokes and find a way to marry it with the more imposing and geometric nature of gothic type. The result is Aurenament. As the name suggests, it is an ornamental typeface made to be legible as a display font as well as in smaller, denser text.
“Duty Free” airport commercial advertisement promoting a Swiss Arabian perfume, respecting the codes of luxury product advertising. Complete artistic direction: fashion styling, model posing, staging the scene, lighting, colour grading, touch-ups and composition.
Commercial advertisement project for “DirTea” inspired by the bold and colourful Japanese beverage ads. Photography of the can with simulated condensation and studio lighting, editing in Lightroom and Photoshop, watercolour painting of peaches reworked as a background motif as well as the calligraphy of the Japanese text.
Creation of magazine covers for the “T – Le magazine du Temps” exploring a contemporary issue while respecting the existing style and visual identity of the magazine. This project explores generative art versus the classic masterpieces in the history of art they are based on. No artificial intelligence was used in the creation of this design. The images are existing ressources.
Series of posters for the HEAD open days entirely coded in p5.js, including the text and formatting. Highly experimetal project testing line generators with multiple variables to create the different patterns. All of the above patterns come from the same code, but display many variants due to the change in variable values.
Kinetic typography animation in After Effects on the theme of astronomical phenomena. The project consists of six animations using only typography that each last six seconds and loop infinitely. Only typography is used to illustrate the content and allow the phenomenon to be represented.
Layout design of “What Now?”, an article written by graphic designer and typographer Neville Brody in 2003 in a way that reflects the content without resorting to any illustrations or images. Large focus on typography, composition and shapes to visually translate the ideas behind the words.
3D modelling in Blender, creation of an isometric bedroom. Contains a mixture of important and modelled assets to enrich the scene. Furniture, books, textiles, lighting all modelled from scratch. More detailed pieces important from a library to make the scene more cozy and eclectic.
Workshop in collaboration with the Base Design agency in Geneva to reimagine the visual identity for the 49th edition of the Paléo Festival (largest open-air festival in Switzerland) in 2026. Black card paper was cut, scanned and arranged to create a library of articulated dancers, representing the festival-goers. Making them an integral part of the visual design reflects their essential role in the Paléo Festival. This workshop also worked on creating the various digital and physical products and communication platforms for the festival. The design being modular allows the core concept to be adapted in a wide variety of ways to create merchandising products, animated screens of various formats, signage, and especially creating the official Paléo poster.
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Layout design of an academic article by Clémence Imbert called “Ce que l’histoire fait au graphisme”. Experimentation with a unique variable typeface, Salo Variable. Creation of a rigourous graphic element system from lines of varying widths to create dynamic rhythms and maintain a balance between text and form. Full article is a work in progress to be continued independently. A4 format, laser printed on high gloss 120gr/m² paper.